Film – Garett Maggart http://garettmaggart.net/ Sat, 18 Sep 2021 21:56:36 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://garettmaggart.net/wp-content/uploads/2021/07/icon-2021-07-09T144741.062-150x150.png Film – Garett Maggart http://garettmaggart.net/ 32 32 San Diego Italian Film Festival to be held at historic La Paloma Theater in Encinitas https://garettmaggart.net/san-diego-italian-film-festival-to-be-held-at-historic-la-paloma-theater-in-encinitas/ https://garettmaggart.net/san-diego-italian-film-festival-to-be-held-at-historic-la-paloma-theater-in-encinitas/#respond Sat, 18 Sep 2021 21:56:36 +0000 https://garettmaggart.net/san-diego-italian-film-festival-to-be-held-at-historic-la-paloma-theater-in-encinitas/ The San Diego Italian Film Festival (SDIFF) returns to the historic La Paloma Theater in Encinitas on September 30 with the cutting edge comedy “Figli” (Kidz), directed by Giuseppe Bonito and starring Paola Cortellesi and Valerio Mastandrea. La Paloma Theater has been the headquarters of SDIFF in North County since 2012, when the film festival […]]]>

The San Diego Italian Film Festival (SDIFF) returns to the historic La Paloma Theater in Encinitas on September 30 with the cutting edge comedy “Figli” (Kidz), directed by Giuseppe Bonito and starring Paola Cortellesi and Valerio Mastandrea. La Paloma Theater has been the headquarters of SDIFF in North County since 2012, when the film festival expanded its success to downtown San Diego and began showing monthly films to North County audiences.

The screening of “Figli” on September 30 will kick off SDIFF’s return to La Paloma and will be followed by a regular monthly Italian film program from January. SDIFF shows award-winning current (or recent) Italian films with English subtitles. The screenings are always preceded by an introduction by the artistic director of the Festival Antonio Iannotta, or a guest expert, to share the context or aspects of the film or the production for the audience, making the evening a more cultural event.

The 15th edition of the SDIFF festival is also returning to live screenings and will be held October 7-31 at the Museum of Photographic Arts in Balboa Park. The theme is “Resilience” and the films include romantic comedies, dramas, independent films, documentaries and more never before seen in San Diego.

The La Paloma Theater is the only remaining single-screen cinema in San Diego and has been showing films almost continuously since it opened in 1928. The theater, with its high vaulted ceilings and ornate facilities, was designed for live acts and a full orchestra as well as films and was among the first to install equipment for “talking films”. The interior was designed by an artist who came from Paris to complete the design and painting of the theater.

For more information: www.sandiegoitalianfilmfestival.com


Source link

]]>
https://garettmaggart.net/san-diego-italian-film-festival-to-be-held-at-historic-la-paloma-theater-in-encinitas/feed/ 0
A movie that ticks all the boxes of masala entertainment – the New Indian Express https://garettmaggart.net/a-movie-that-ticks-all-the-boxes-of-masala-entertainment-the-new-indian-express/ https://garettmaggart.net/a-movie-that-ticks-all-the-boxes-of-masala-entertainment-the-new-indian-express/#respond Sat, 18 Sep 2021 05:22:00 +0000 https://garettmaggart.net/a-movie-that-ticks-all-the-boxes-of-masala-entertainment-the-new-indian-express/ Express news service During a pivotal scene in Ananda Krishnan’s Kodiyil Oruvan, the protagonist is beaten black and blue in front of the audience. As hundreds of people stare at him in pity, the hero continues to be verbally assaulted, spat on and stomped in his face. He takes it all. When the allies finally […]]]>

Express news service

During a pivotal scene in Ananda Krishnan’s Kodiyil Oruvan, the protagonist is beaten black and blue in front of the audience. As hundreds of people stare at him in pity, the hero continues to be verbally assaulted, spat on and stomped in his face. He takes it all. When the allies finally arrive to save him, a boy from the crowd asks, “Ungalukku kovame varadha?” Seems familiar? Vijaya Raghavan de Vijay Antony is Manikkam who holds back his inner Baashaa. It’s a well-treated mass moment in our cinema, but only a handful of films have managed to do the magic. Here the build-up works, due to Vijay Antony’s understated personality, both on and off the screen.

Vijay gives a mini-lecture on gamma rays in this film. In another film, it would have made us wonder why he becomes a master of tuition, but, here, the problem is that he is. These little things turn an ordinary model movie into a pleasant entertainer. The rather ambitious title, Kodiyil Oruvan, raised eyebrows when it was announced, as Vijay Antony is not (yet) a leading superstar. After all, even MGR went with Aaiyirathil Oruvan. But what’s on offer in this movie is a thousand fold (literally) and it’s hugely surprising that the movie manages to justify the title through both the build-up and its storyline. The Baahubali-isque birthing sequence is proof of director Ananda Krishnan’s ability to blow the whistles. I’ve also found myself enjoying portions in which Vijay Antony steps out of his comfort zone and delivers witty punchlines.

Kodiyil Oruvan is a shameless commercial artist, and unsurprisingly, the hero wins. Getting this format to click with the audience is quite tricky. Had the plot stuck with a real world setting, Vijaya Raghavan would have died in scene two, or if not, if he was a demigod, it would have been an impossible journey again. But the balance here is almost perfect. Hero’s falls are so effective and his redemptions are not convenient. His victories are also progressive.

When he gets a scholarship, he does not get the first rank; it is the sixth. Even on his political expedition, he won by a small margin. This prepares you for the protagonist’s amazing victories in the final act. It’s safe to say that even those who find it difficult to completely buy what’s on screen, wouldn’t be put off by what is happening.

It’s a relief that the director took the time to get the facts right most of the time, and it’s interesting that the film gives a very detailed look at the intricacies of the electoral process that many blockbusters like Mudhalvan missed. I liked the subtext conveyed by the photos of political leaders, even if they are a little too explicit. The film will also be remembered for its memorable characters like The Heart of Gold Tailor with a Speech Impairment, Ramachandra Raju’s Maavattam switching to English at unexpected times, and Prabhakar’s Conference Karna, who is proud of. be a rowdy.

Vijaya Raghavan begins her system disinfection journey by actually cleaning up the mess next to her window. It is only after having taken this step that it moves towards larger territories. The problem in this film is the misrepresentation of the female lead role, played by Aathmika. It’s criminal to see such a female character when she talks so much about progressivity and reform. I really wish Ananda Krishnan had taken the time to clean up this problem in his script before he tackled bigger issues.

Looking macroscopically, Kodiyil Oruvan looks like a follow-up to Vijay Antony’s Thimiru Pudichavan. In a way, we can say that he is building his own franchise, something based on “Youth Reform”. It would be healthy to see him make one more movie in that lineup, which would make it a really good trilogy.
The actor has once again managed to harness his strengths with this film, even though he is taken aback when operating outside his comfort zone. However, I am convinced that as long as he sticks to the right dose of masala in his films, he could even make more ambitious films down the line.

Director: Ananda Krishnan
Actors: Vijay Antony, Ramachandra Raju, Atmika, Prabhakar


Source link

]]>
https://garettmaggart.net/a-movie-that-ticks-all-the-boxes-of-masala-entertainment-the-new-indian-express/feed/ 0
Manayunk festival focuses on films by and on women https://garettmaggart.net/manayunk-festival-focuses-on-films-by-and-on-women/ https://garettmaggart.net/manayunk-festival-focuses-on-films-by-and-on-women/#respond Fri, 17 Sep 2021 17:21:17 +0000 https://garettmaggart.net/manayunk-festival-focuses-on-films-by-and-on-women/ Neither the recent flooding, courtesy of Hurricane Ida, nor the delta variant can cushion for a long time. The third annual LUNAFEST, a film festival, focusing on films by and for women, will take place on September 25 at the Venice Island Performing Arts & Recreation Center in Manayunk. Girls on the run Philadelphia (GOTR) […]]]>
Neither the recent flooding, courtesy of Hurricane Ida, nor the delta variant can cushion for a long time.

The third annual LUNAFEST, a film festival, focusing on films by and for women, will take place on September 25 at the Venice Island Performing Arts & Recreation Center in Manayunk. Girls on the run Philadelphia (GOTR) hosts the event, and the organization is prepared for any eventuality depending on, Erin Skolte the organization’s mission advancement coordinator.

GOTR has had two previous Lunafests, one in person and one virtually, so they’re up for anything. “It’s a face-to-face event. But we have arrangements and preparations in place to convert it into a virtual event if the situation calls for it, ”Skolte said.

“We are under the direction of Parks & Recreation, which oversees the site,” she added.
Masks are mandatory, registrants will sign a waiver online upon registration and they will also complete a waiver on site. “

Lunafest takes its name from the LUNA bar, an energy bar made by the same people who make Clif bars. In the early 2000s, it was the first traveling film festival to focus on women’s films about women. Since then, the film festival has raised over $ 6 million for women’s nonprofits.

“Lunafest has become a kind of unofficial partner of Girls on the Run International and offers us to host their film festival every year in order to raise funds for our program,” said Skolte.

Girls on the run.

Girls on the Run is a national non-profit organization that, as the name suggests, creates running programs for young women and people who identify as women. But the emphasis is not just on physical fitness, the programs aim to integrate running with the development of social, emotional and physical skills. The organization offers a program for students in grades 3 through 5 and another for students in grades 6 through 8.

“We are giving the girls a chance to be authentic themselves and to see their future and their potential without limits,” said Skolte. “So it’s a really good mix of the concepts that we present to the girls, and then Clif and Luna do the same for the women, especially in the movies.”

This year there are seven films covering everything from an Arctic expedition to Holly morris‘s “Overexposed: filming an arctic odyssey “to fly fishing in”Link“, a movie of Tracy Nguyen-Chung and Ciara Lacy. Another film, “Until She is Free” by Maria Finitzo, features a giant silver clit – made of wood, fiberglass and steel – the work of a mixed media artist. Sophie wallace, who “imagines a culturally clitoral world”.

Now is the time to say that while the event benefits children, children are not its target audience.

This slideshow requires JavaScript.

Skolte said the festival would work perfectly for a girls’ night out, a date or even an office meeting.

“If you haven’t seen your colleagues in a while, come together for a good cause,” she said. “And watch the movies together, then go out to dinner. At this point, we all crave interaction with other adults in real space with masks. “

All proceeds from ticket sales go to GOTR, paying scholarships to make their programming more accessible. “About 68% of the girls who participate in our program, do so using scholarship funds, so we don’t turn any girls away because they can’t afford the program,” Skolte explained,

“Whenever we fundraise, the focus is on building scholarship funds so that more girls can participate. “

Tickets for the event are $ 25, which includes light snacks from Insomnia cookies and Float dreamer, a local vegan ice cream company. The doors will open at 3 p.m. and the screening will begin at 4 p.m. The event will run until 5:30 p.m. Guests are encouraged to then head to Manayunk for an evening. The tomato from the couch donates 15% of every order at their Manayunk location on September 25 to GOTR.

LUNAFEST is also sponsored by GIANT, Harrington & Associates, Live! Hotel & Casino Philadelphia, and Rosenbaum Personal Injury Act.

-30-


Source link

]]>
https://garettmaggart.net/manayunk-festival-focuses-on-films-by-and-on-women/feed/ 0
Johnny Depp’s film takes Minamata’s pollution problem as a warning https://garettmaggart.net/johnny-depps-film-takes-minamatas-pollution-problem-as-a-warning/ https://garettmaggart.net/johnny-depps-film-takes-minamatas-pollution-problem-as-a-warning/#respond Fri, 17 Sep 2021 05:41:42 +0000 https://garettmaggart.net/johnny-depps-film-takes-minamatas-pollution-problem-as-a-warning/ For Hollywood star Johnny Depp, the story of an act of industrial pollution that devastated Japan’s southwestern coastal community of Minamata over half a century ago is a story that had to be told, no. only for its victims but for present and future generations. The film “Minamata”, which he both produced and starred in, […]]]>

For Hollywood star Johnny Depp, the story of an act of industrial pollution that devastated Japan’s southwestern coastal community of Minamata over half a century ago is a story that had to be told, no. only for its victims but for present and future generations.

The film “Minamata”, which he both produced and starred in, arrives this month to do just that in Japan, where despite the perception that the incident is history, litigation is still ongoing. course by those who feel they have been overlooked for support.

Depp plays Eugene Smith, a renowned American photojournalist whose 1971 photo of a teenage girl sickened by the mercury poisoning that plagued the city in the 1950s and 1960s woke the world to tragedy and became an icon of dangers of industry insanity when economic growth is prized above all else.

The photo provided shows a scene from the movie “Minamata”. (Copyright Larry Horricks) (Kyodo)

The disease was officially recognized by local health authorities in 1956, although initially unaware that it was caused by the dumping of mercury-contaminated wastewater into the sea from a Chisso Corp. chemical plant. in the city, which lasted over a decade.

People who ate contaminated seafood suffered from paralysis of the hands and feet and visual field defects. The disease, which was named after the city, also triggered congenital disabilities.

Directed by Andrew Levitas, the film is a fictional representation based on actual events described in a 1975 photographic essay book by Smith. It covers the three years from 1971 in which Smith and his Tokyo-born wife, Aileen Mioko Smith, documented the accounts of local patients living with the disease and their campaign to gain recognition from Chisso and the Japanese government.

According to its creators, the film is intended as an uplifting narrative.

Johnny Depp speaks from France during a videoconference with Japanese media on September 2, 2021. (Kyodo)

“It’s such an important story, first because it happened, a lot of people suffered, and secondly because it’s still happening everywhere else,” Depp said during a video conference from France with the Japanese media ahead of the film’s September 23 release in Japan.

It also shows how people need to stand up to help each other, Depp said, especially amid the COVID-19 pandemic, which he sees as “dividing and isolating people from others.”

“What happened in Minamata all those years ago is kind of a pathetic and shocking tale of what would later happen in various parts of the world in various ways,” said the 58-year-old Pirates Caribbean.

Before its launch in Japanese theaters, the film, which premiered at the Berlin International Film Festival in February 2020, was screened at two schools in Tokyo. Some students later admitted that they had limited awareness of the severity of Minamata disease, although they had studied the issue at school.

“I studied Minamata disease last year in history class, but the movie was so real. The problem is much bigger than I thought,” said Mami Matsukawa, 15, who was part of the film. of the 180 or so students who watched the film to the Kojimachi audience. High school.

At Den-en Chofu Gakuen Junior & Senior High School, a private girls’ school where about 400 students watched the film, Yuna Yokoo, senior, said she felt the Japanese government told schoolchildren that the Minamata disease “is over”.

Students at Den-en Chofu Gakuen Junior & Senior High School in Tokyo react after watching the movie “Minamata” on September 1, 2021. (Kyodo)

“I was myself, when I saw it in our manual, passing it off as a thing of the past,” she said, but now she sees it as an example of injustice. She, like other students who watched the film, said they wanted to think about how they could let more people know that Minamata disease is an ongoing problem.

It was not until 1968 that the Japanese government recognized that Minamata disease was caused by industrial pollution and stopped the water spill. It is considered one of the top four pollution diseases in the country and taught in schools as an example of the negative impact of the rapid economic growth in post-war Japan.

At Kojimachi Junior High, students also had the chance to meet online and hear stories from three patients born with the disease because their mothers had eaten toxic seafood.

One of them, Koichiro Matsunaga, 58, said: “I am bitter to think that I might not have suffered if the government had valued people’s lives and stopped the landfill.” just after official recognition of the disease in 1956. He was born four years later.

Koichiro Matsunaga (center) and two other patients born with Minamata disease meet with students from Kojimachi High School in Tokyo on September 9, 2021. (Kyodo)

By the end of March this year, 2,283 people in and around Minamata had been recognized as suffering from Minamata disease, of which 1,988 had died. 1,426 others were still asking for recognition.

In addition, around 38,000 unrecognized people received financial assistance on the basis of a special disease law of 2009, while nearly 10,000 others were rejected. Many of those excluded are involved in legal proceedings in various parts of Japan.

Depp said that as soon as he came up with the idea of ​​producing the film, he “very simply thought it had to be done (and) see the light of day.” But he was also determined that he “really tells this story right,” according to the film’s production notes.

In an effort to accurately describe the events and people involved, Levitas and the production team traveled to Minamata in September 2018 and met with some of the surviving victims and their families.

They even tracked down Smith’s customs forms to find the exact cameras and lenses he brought to Minamata, but shot most of the scenes in the Serbian capital Belgrade and the coastal town of Tivat in Montenegro as Minamata s ‘has been considerably modernized since the 1970s.

Andrew Levitas speaks from New York City during a videoconference with Japanese media on September 2, 2021. (Kyodo)

“What was most important to us was to express the essential truth under everything,” said Levitas, 44, who joined Depp at the press conference on a video call from New York.

Seeing the film through “Eugene Smith’s lens” as an outsider entering the community, “viewers around the world could digest and understand it,” he said.

Tokyo-born actress Minami, who bears her first name, played Aileen Smith. In a separate interview with Kyodo News, she said that overall, Japan can be proud of the history of Minamata disease victims struggling for recognition.

“The point is, the people of Minamata in Japan fought the country, and of course the problems persist, but they won,” Minami said. “I would like to convey such energy and power as a positive message.”

Levitas said he hopes to inspire and uplift people to try to stand up for each other, recognize that their voices can be heard and take a stand when governments and businesses act against their best interests.

“All the pollution problems in the world are linked because they essentially deprive each of us of the first right, which is to live a healthy and unpolluted life,” he said.

Depp said the time since the production of the film had “only made my passion” for fighting “the un-countable cases of injustice that exist in the world in so many different forms”, calling the incident. pollution of Minamata of “type of corruption.”

“This film must be seen, I believe, to understand the plight of the people of Minamata and what they went through and also to highlight how corruption can exist very easily and get rid of people all at once if no one don’t see it, “he said.


Associated coverage:

FILE: Film highlights plight of Myanmar child soldiers

FEATURE: Horror director breaks genre with female superhero drama

FEATURE: Minamata Woman Confronts Her Mother’s Stigma Over Pollution Sickness



Source link

]]>
https://garettmaggart.net/johnny-depps-film-takes-minamatas-pollution-problem-as-a-warning/feed/ 0
Southeast Asian Film Festival returns to Maitland’s Enzian in October https://garettmaggart.net/southeast-asian-film-festival-returns-to-maitlands-enzian-in-october/ https://garettmaggart.net/southeast-asian-film-festival-returns-to-maitlands-enzian-in-october/#respond Thu, 16 Sep 2021 17:52:00 +0000 https://garettmaggart.net/southeast-asian-film-festival-returns-to-maitlands-enzian-in-october/ Click to enlarge Photo courtesy of the Enzian Theater bengali Maitland’s Enzian Theater and the Asian Cultural Association are bringing back the South Asian Film Festival for a historic 27th year, and it’s just a few weeks away. Dubbed “Beyond Bollywood”, the South Asian Film Festival takes place at the Enzian over a long weekend […]]]>

Click to enlarge

  • Photo courtesy of the Enzian Theater
  • bengali

Maitland’s Enzian Theater and the Asian Cultural Association are bringing back the South Asian Film Festival for a historic 27th year, and it’s just a few weeks away.

Dubbed “Beyond Bollywood”, the South Asian Film Festival takes place at the Enzian over a long weekend from Saturday to Monday October 2-4. This year, participants will have the chance to see four feature films and seven short films (some presented as part of the Chhota Cinema: New Indian Shorts program), including 10 first exclusive to the Festival.

This year’s list of films includes:

Saturday October 2
bengali
Sweeper’s son
pebbles
Pilibhit

Sunday October 3
Last night in Vegas
Dammy
Strong son
It’s a family thing
Just a human
7 days (
with a Zoom Q + A post-film with director Roshan Sethi)

Monday October 4
Last cinema screening

“It is extremely exciting to bring the South Asian Film Festival back to theaters with a full program that is as diverse, challenging and entertaining as ever,” said Matthew Curtis, Program Director of Enzian, and Jasbir Mehta, executive director of the Asian Cultural Association, in a joint statement.

Tickets are currently available through the Enzian Theater. A series pass is also available for admission to all films.


Stay on top of Central Florida news and opinions with our weekly newsletters and consider supporting this free publication. Our small but powerful team works tirelessly to bring you news from Central Florida, and every little bit counts.


Source link

]]>
https://garettmaggart.net/southeast-asian-film-festival-returns-to-maitlands-enzian-in-october/feed/ 0
Colonial brings ‘Halloween’ movie trilogy to Phoenixville screen https://garettmaggart.net/colonial-brings-halloween-movie-trilogy-to-phoenixville-screen/ https://garettmaggart.net/colonial-brings-halloween-movie-trilogy-to-phoenixville-screen/#respond Wed, 15 Sep 2021 20:08:02 +0000 https://garettmaggart.net/colonial-brings-halloween-movie-trilogy-to-phoenixville-screen/ PHOENIXVILLE, PA – The Colonial Theater is bringing a Halloween treat to its horror patrons with a triple movie of “Halloween 4”, “Halloween 5” and “Halloween: The Curse of Michael Myers” in October. It’s a marathon scare, with the films screened one after the other. “We are 99.9% sure that these films in the saga […]]]>

PHOENIXVILLE, PA – The Colonial Theater is bringing a Halloween treat to its horror patrons with a triple movie of “Halloween 4”, “Halloween 5” and “Halloween: The Curse of Michael Myers” in October.

It’s a marathon scare, with the films screened one after the other.

“We are 99.9% sure that these films in the saga have never been screened together before,” said Bob Trate, Marketing Director of the Colonial Theater. The films will be presented together for a marathon viewing. Tickets are available now for the October 9 performance at 7 p.m.

Together, these three films form the narrative arc of Thorn Trilogy. This return to form – after the box office bomb that was “Halloween III: Season of the Witch” – attempts to focus on a more cohesive narrative, more in keeping with the sequential nature of the “Halloween” and “Halloween originals. II, “the Colonial explained.

“And it worked spectacularly, bringing the Halloween franchise to popularity; completing the story arc of the original pair of films and creating an all-new Screaming Queen in Danielle Harris.”

Trate said, “The Thorn Trilogy has never been screened together, to our knowledge, and the Colonial Theater is proud to give horror fans the opportunity to cross this off their bucket list.” Read about the Thorn Trilogy here.

“It was our plan to screen all three films on 35 MM. That being said, acquiring copies for the two older films was straightforward. At this point, we are in the process of trying to locate” Halloween: The Curse of Michael “from 1995 Myers”, either the Theatrical Cup or the Producer’s Cup. “

“Sadly, it looks like those two things are gone,” Trate said. “Of course, showing the Producer’s Cup on Blu-ray is our last option.”

To commemorate the occasion, The Colonial commissioned Quiltface Studios to create a special event poster that will only be available during the screening.

Get more information and buy tickets here.

In downtown Phoenixville, the iconic non-profit Colonial Theater has three rooms: the original theater, dating from around 1902, with 650 seats, and two state-of-the-art theaters in the adjacent 1925 Bank of Phoenixville building. Programming includes first-run, independent and classic films, programs for young audiences, concerts and community events. For upcoming shows and times, visit www.thecolonialtheater.com.

Make sure you know what’s going on in your city. Sign up to receive Patch emails and never miss any local news: https://patch.com/subscribe.


Source link

]]>
https://garettmaggart.net/colonial-brings-halloween-movie-trilogy-to-phoenixville-screen/feed/ 0
Arts Shows Star In New Radio 4 Programming After Storm With Film Program Removal | BBC https://garettmaggart.net/arts-shows-star-in-new-radio-4-programming-after-storm-with-film-program-removal-bbc/ https://garettmaggart.net/arts-shows-star-in-new-radio-4-programming-after-storm-with-film-program-removal-bbc/#respond Sat, 11 Sep 2021 15:21:00 +0000 https://garettmaggart.net/arts-shows-star-in-new-radio-4-programming-after-storm-with-film-program-removal-bbc/ A movie show and a new weekly music program on Radio 4 will be part of a huge reshuffle to the BBC’s arts programming due to be unveiled on Monday. Screenshot will be hosted by Observer film critic Mark Kermode – also co-host of the 5 Live movie show – and by Guardian writer Ellen […]]]>

A movie show and a new weekly music program on Radio 4 will be part of a huge reshuffle to the BBC’s arts programming due to be unveiled on Monday.

Screenshot will be hosted by Observer film critic Mark Kermode – also co-host of the 5 Live movie show – and by Guardian writer Ellen E Jones, and he will, in Kermode’s words, “rummage through safes for unexpected connections and discoveries in the history of film and television.”.

The announcement comes just weeks after Christopher Nolan, Martin Scorsese and other prominent directors joined moviegoers in a dismayed call to rescue Radio 4 The cinema program. An angry letter, printed in the Observer and written by director Carol Morley, criticized the longtime show’s deletion and accused the BBC of further cutting its coverage of the arts.

The letter also garnered support from leading actors such as Liam Neeson, Rosamund Pike, Benedict Cumberbatch and David Oyelowo, who all argued that the series was a valuable resource for moviegoers.

The BBC says the changes it is making now will translate into more global airtime for the arts and involve an extension of established programming, in addition to the arrival of three new shows.

Alongside the movie show, a new weekly music show is to innovate on the radio station traditionally dominated by speech. Add to playlist will be hosted by Jeffrey Boakye and Cerys Matthews, who will invite their guests to build a selection of music from different genres.

Jeffrey Boakye will co-host Add to Playlist, a weekly music show that hopes to innovate on Radio 4. Photography: Antonio Olmos / The Observer

And a new, longer artistic show will be broadcast as a podcast on BBC Sounds, as well as in a Radio 4 box on Saturday night. Called This cultural life and presented by John Wilson, it will also appear occasionally as a television program on BBC Four. This is intended to allow the BBC to make better use of its vast archive of fine art films and to link audio and visual coverage more closely.

When Tony Hall, the former BBC chief executive, took office almost a decade ago, he vowed to tackle the perceived decline in artistic programming, primarily by forming economically useful partnerships with major artistic institutions of the country. False starts followed, with repeated attempts to find the right format for mainstream television coverage of the arts.

The broadcasting of cultural information by Radio 4 has also been controversial. In 2017, there was an outcry from the dedicated listeners of Saturday Review after a first threat to its survival. The show, hosted by Tom Sutcliffe, got a temporary reprieve a few months later, but was eventually taken off the air last year.

It was considered by some BBC commissioners to be elitist and old-fashioned, but its fans inside and outside Broadcasting House cherished it as a place to hear critical opinions on new work.

Sutcliffe is now a regular presenter on Before Line, the flagship show of the BBC arts magazine and one of the winners of the planned schedule overhaul. It saves an extra quarter of an hour, by increasing the program to 45 minutes on weeknights. Sutcliffe will remain, as will current presenter Samira Ahmed.

As the host of the new interview series This cultural lifeWilson plans to examine the creative impulse that drives an artist or performer. “We have big names lined up, and we will be able to really deepen their work and their influences,” said the journalist, who will present his latest First row show Monday after more than 20 years behind the microphone.

“When I presented the new series, I wanted both ‘culture’ and ‘life’ in the title. Culture is a buzzword that comes and goes, but we’re going to look at the artist in the world, find out what drives them. However, the format will not be the same for a visual artist as it is for a grime artist or a classical musician, ”said Wilson, who cites the legacy of Melvyn Bragg’s television arts programs as inspiration.

“He is a giant and a pioneer. People often go back to the golden age of artistic programming, saying there was more time and space then – well, I would say podcasts gave us that space back.

Wilson will continue to make documentaries and cover art news, alongside other BBC art correspondents and the broadcaster’s new cultural editor, Katie Razzall, who takes over from art editor Will Gompertz in November.

While the BBC has come under fire for dropping the voices of informed critics with the disappearance of Saturday exam, Wilson said he believed First row has always had “journalistic ethics and an edge,” and that in the hands of Ahmed and Sutcliffe, he will do more than promote new releases and exhibitions. “With Tom you have a critical circus ringleader, and if the culture secretary comes to talk to Samira, you know he’s really going to think about what he’s going to say,” he said.


Source link

]]>
https://garettmaggart.net/arts-shows-star-in-new-radio-4-programming-after-storm-with-film-program-removal-bbc/feed/ 0
IATSE braces for possible strike against film and television industry – Deadline https://garettmaggart.net/iatse-braces-for-possible-strike-against-film-and-television-industry-deadline/ https://garettmaggart.net/iatse-braces-for-possible-strike-against-film-and-television-industry-deadline/#respond Wed, 08 Sep 2021 17:52:00 +0000 https://garettmaggart.net/iatse-braces-for-possible-strike-against-film-and-television-industry-deadline/ The IATSE is preparing for a possible strike against the film and television industry, which would be the first industry-wide strike in union history. The union and management AMPTP will return to the bargaining table on Thursday with the aim of reaching an agreement on a new contract for film and television before their current […]]]>

The IATSE is preparing for a possible strike against the film and television industry, which would be the first industry-wide strike in union history. The union and management AMPTP will return to the bargaining table on Thursday with the aim of reaching an agreement on a new contract for film and television before their current agreement expires on Friday.

A strike, if it does, would still be several weeks away, as IATSE continues to lay the groundwork for a possible walkout, which includes a text-messaging campaign to educate members on the negotiations and the issues.

“Our goal is to reach out to each of our members and make sure they know what’s going on in the negotiations; where to go for more information; and when the time comes, how to make their voices heard by voting, ”the union said in a message to members on Tuesday night. “We don’t know what the vote will be – contract ratification or strike authorization – but we know it’s coming, and we need the local members to speak out in great numbers.”

Top filmmakers call on producers to deal with brutally long working days in contract talks with IATSE

This is the first time that the word “strike” appears in one of the union’s communications. It represents more than 150,000 workers in live theater, film and television production, trade shows and exhibitions, television broadcasting and concerts.

The IATSE said on August 31 that the two sides remained “very distant” on key economic issues, which include shorter working days, living wages, sustainable pensions and health benefits and new media tariffs. that reflect the success of streaming companies.

“We need your help!” the union told its members. “If you are ready and able to volunteer for a few hours over the next month to help with outreach by text messaging to educate and inform local members, let us know. … The texting will likely take place in a relatively short window between our next trading session on September 9th and the end of this month. Our power is in our members, and we need to harness that power to get a better deal. “

Founded in 1893, the International Alliance of Theatrical Stage Employees has 13 Hollywood locals, including Cinematographers Guild Local 600, Art Directors Guild Local 800, and Editors Guild Local 700. It has a total of 366 locals in the States. United and Canada, organized by geographic region. and artisanal courts.

Erik Pedersen contributed to this report.


Source link

]]>
https://garettmaggart.net/iatse-braces-for-possible-strike-against-film-and-television-industry-deadline/feed/ 0
Banderas and Cruz laugh at the excesses of cinema in Venice https://garettmaggart.net/banderas-and-cruz-laugh-at-the-excesses-of-cinema-in-venice/ https://garettmaggart.net/banderas-and-cruz-laugh-at-the-excesses-of-cinema-in-venice/#respond Sat, 04 Sep 2021 15:47:56 +0000 https://garettmaggart.net/banderas-and-cruz-laugh-at-the-excesses-of-cinema-in-venice/ Penelope Cruz and Antonio Banderas launch into their own industry with abandon in their new film “Official Competition”, which left critics in turmoil at the Venice Film Festival on Saturday. The film, directed by Argentinian duo Mariano Cohn and Gaston Dupra, misses no opportunity to skew the quirks and excesses of showbiz. From actors with […]]]>

Penelope Cruz and Antonio Banderas launch into their own industry with abandon in their new film “Official Competition”, which left critics in turmoil at the Venice Film Festival on Saturday.

The film, directed by Argentinian duo Mariano Cohn and Gaston Dupra, misses no opportunity to skew the quirks and excesses of showbiz.

From actors with fragile egos and petty rivalries, to directors who use unconventional methods to push their actors – like having them rehearse under a five-ton boulder to increase the dramatic tension – satire is the ultimate insider’s guide. for the worst of the movie. manufacturing.

“It was really liberating, really fun,” Cruz told reporters in Venice.

She embodies an eccentric and bohemian director seeking to impose her vision on her two main men, whose gigantic egos clash immediately.

Banderas presents himself brilliantly as a Latin American film star who has managed to grow up in Hollywood, while Oscar Martinez plays a respected stage actor who considers himself too serious for trashy blockbusters.

“The art is the theme,” Banderas said. “To be able to ridicule the excesses that are somehow used to arrive at art.”

Martinez admitted that the cast struggled to keep their seriousness during filming: “We had so much fun that sometimes we had to stop the footage.”

– Provocative performances –

The character of Cruz, who has a mane of frizzy red hair, brings hell to his rehearsal actors.

In one scene, as the mutual animosity of the two extremely contrasting actors is at its peak, she literally wraps them in plastic wrap to increase their interdependence and bond.

In another rehearsal, the two actors swear more and more exaggerated to tap into their rage.

“There were so many swear words, insults, curses that I think at one point we must have written them down,” Banderas told reporters.

“I think some of them were really amazing, there are things that I heard on the streets of Malaga and I started to throw them away – there was a bit of improvisation.”

Cruz was careful to warn that the actors and directors of “Official Competition” were not there to offend the industry in which they work.

“It’s a tribute to our profession. At no time is it a parody, nor a lack of respect towards the actor,” said Cruz.

Banderas, meanwhile, was quick to clear one thing up about the narcissistic character he embodies.

“Some writers might hint at it. But he in the movie isn’t me.”

ams / uh / yad


Source link

]]>
https://garettmaggart.net/banderas-and-cruz-laugh-at-the-excesses-of-cinema-in-venice/feed/ 0
TAGS first film festival a smash hit – LaGrange Daily News https://garettmaggart.net/tags-first-film-festival-a-smash-hit-lagrange-daily-news/ https://garettmaggart.net/tags-first-film-festival-a-smash-hit-lagrange-daily-news/#respond Tue, 31 Aug 2021 12:01:03 +0000 https://garettmaggart.net/tags-first-film-festival-a-smash-hit-lagrange-daily-news/ The LaGrange Lafayette Society for Performing Arts’ first annual Southern Film Festival went off without a hitch on Friday and Saturday, and many filmmakers left not only with new fans but also with good connections to follow them into the world. world of cinema. LSPA had been an active member of the Southern Film Festival’s […]]]>

The LaGrange Lafayette Society for Performing Arts’ first annual Southern Film Festival went off without a hitch on Friday and Saturday, and many filmmakers left not only with new fans but also with good connections to follow them into the world. world of cinema.

LSPA had been an active member of the Southern Film Festival’s parent festival, the Lanett City Film Festival for quite some time, explained Amy Guinn McDow, director of the Lafayette Theater Company, who helped company attendees make connections beforehand. .

“We have been actively participating in this festival until COVID,” she said, adding that last year’s festival went live when the pandemic began. “Lanett chose not to do the festival this year, and we made so many connections and did so many things that we started to think about another place. It made sense to bring him here since the academy students were so involved.

One of the highlights was the premiere of Lafayette Theater Academy’s debut short film “Exit,” which starred several TAGS students and was directed by Eric B. Wright, founder of the Lanett City Film Festival and the Southern Film Festival. The film was screened at the start of the festival each day, McDow said.

“[The students] really got to see the magnitude of the process of making a movie, and it was such an educational opportunity for them to meet the different directors and filmmakers who came here, ”McDow said.

The festival featured 28 films, including short narrative films, documentaries, student films, and feature films from visitors to the area and a handful of locals.

Guests at the festival included Oscar nominated producer Enrique “Rico” Diaz, known for his films “Dekalb Elementary”, “Perfect People” and “Jeremy”.

Diaz presented his film, “Jeremy”, which followed the journey of a frightened Marien and the struggle to strike a balance between duty to the military and duty to his family.

Diaz, who is normally stationed in Los Angeles, described his experience at LaGrange as “excellent,” noting that the students at the company were not only exceptionally talented, but also that the area was a perfect source of inspiration for the shoot. .

“I love coming to regions like [LaGrange]”said Diaz.

“Being in the LA area, there is a lot of commotion. I love coming here and interacting with people… there are genuine people with different perspectives.

Local highlights included “A President in Our Midst: Franklin Delano Roosevelt in Georgia,” which starred LaGrange’s Carol Cain, and “Brotherly Vows” by LaGrange professor and Lafayette Theater Company actor Zeke Weldon.

Weldon described making the film, which was shot in the West Point area, as a more straightforward process.

The movie itself was shot in one day, although much of the B-roll took a few more days, he said.

The weather in particular was the biggest hurdle he and his crew had to overcome.

“We had a lot of rain so we had to cut a lot of outside shots,” said Weldon. “Fortunately, the church we filmed in was quite a large location.”

Weldon’s plans for future projects include his “LaGrange vision” and expand his networking opportunities to other creatives both locally and internationally.

“I just want to keep growing and being creative,” he said.

“I’m excited about the opportunity to network… and show people what I’ve learned and how I’ve grown. ”

The festival ended on Saturday evening with an awards ceremony for the participants. Among the winners were Robert Judson’s “A President In Our Midst: Franklin Delano Roosevelt in Georgia” for Best Feature Documentary and Audience Award. LaGrange was a featured filming location in the film.


Source link

]]>
https://garettmaggart.net/tags-first-film-festival-a-smash-hit-lagrange-daily-news/feed/ 0